“The Beatles Anthology”: 10+ hours of glorious nostalgia

Anthology_cover_collage

In the midst of reviving my Beatles blog this summer, I’ve also been on a bit of a Beatles kick in another notable way. This past month, I finally sat down and watched all eight episodes of The Beatles Anthology series, plus the “Special Features” DVD. For those of you who are unaware, The Beatles Anthology was a massive project undertaken in the 1990s by the entire Beatles camp to tell the Beatles’ story from their own perspective. This project took several forms: three Anthology CDs containing live performances and studio outtakes, a beautiful coffee table book, and an eight-part TV documentary.

I already have all three Anthology CDs in my iTunes library, and I own and have read the entire Anthology book, but a recent conversation with a friend reminded me that I somehow had never seen the documentary. Once I got home for the summer, I immediately went to my local library to see if they had the Anthology series on DVD and, sure enough, they did. Several DVDs later, I’ve finally finished the whole thing.

Anthology takes you through the Beatles’ entire story, from when they were kids growing up in Liverpool to when they called it quits. It contains lots of performance footage and interviews with all four Beatles, as well as extensive interviews with other notable members of the Beatles’ family such as Neil Aspinall (driver, then roadie, then director of Apple), Derek Taylor (at one point the Beatles’ press officer), and George Martin (their producer, but you knew that). I was quite pleased at how much airtime Anthology gave to these important figures, though it makes sense when you consider that Neil was heavily involved in making the documentary and George Martin oversaw the Anthology CD project. I also learned several new tidbits from their interviews; apparently Neil Aspinall came up with the idea to reprise the opening track on Sgt. Pepper at the end of the album, to make it feel more like a complete listening experience.

beatles cavern club

One of my other favorite parts of Anthology was how much airtime it gave to the earlier years of the Beatles. I was worried that the first few years of their success, namely 1962 and 1963, would get short shrift, but I was pleasantly surprised that two whole episodes of Anthology focused on the period of the Beatles before they really made it big in 1964. With that said, there was also a lot of interesting footage from their later years that enriched the series. The clips of the Beatles’ trip to India were particularly fascinating, as many of them I had never seen before, and that whole period of their history got more airtime than I was expecting. I also appreciate that Anthology gives basically equal billing to all four Beatles, even though obviously all of John’s interview footage was from before he died, long before the Anthology series was put together.

Watching Anthology also confirmed one of my theories about the Beatles, which I’m sure is held by many; their breakup did not result from one single event, but came about due to a series of events starting in about 1966. The interviews with the Beatles regarding their later years seem to imply that the first major catalyst en route to their break up was the decision to stop touring in 1966, which effectively ended their life as a traditional “band” and began their time together as “artists.” The other major events in this chain seem to be the death of Brian Epstein in August 1967, the trip to India in early 1968, John and Paul’s decision to start Apple, Yoko’s introduction into John’s life, and filming all rehearsals for Let It Be as part of a movie project.

Anthology portrays the Beatles’ breakup probably as it actually was, an inevitable end to a landmark moment in music history that simply outgrew the restrictions given to it by fame. It’s sad, but by the time the January 1969 rooftop concert appears in Anthology, I found myself thinking, “Good lord, how have the Beatles not broken up yet, with all of this tension and chaos happening?” Obviously, if things had been perfect and all of the Beatles still wanted to continue, it would have been wonderful for all of their fans for years to come. However, for the Beatles’ sake and the sake of their music, I am honestly glad that they broke up when they did. If Anthology showed me anything, it revealed that nostalgia and sentimentality for the Beatles can easily be revived at any time, since the worldwide love for the group is so strong.

My one critique of the Anthology series is that if you’re a relatively big Beatles fan and have read the Anthology book already, you won’t learn tons of new information by watching the series. That’s not to say that it’s not worth watching; it absolutely is! But I feel that the strength of the series really lies in the video clips and footage that it contains, and not in the actual amount of new information. The interviews added insightful context to many events in the Beatles’ history, but Anthology clearly prioritizes showing a remastered five-to-seven minute clip from the Shea Stadium concert over including a never-before-heard anecdote about what happened backstage at that concert. One isn’t necessarily better than the other, but for me personally, I would have liked more never-before-heard anecdotes.

beatles anthology

This might be why I enjoyed the special features DVD so much. It included a 15 minute clip of Paul, George, and Ringo playing music at George’s house and reminiscing about the Beatle days, and there were a lot of fun stories in there that they had never discussed in other contexts. I also really enjoyed the clips of Paul, George, Ringo, and George Martin in Abbey Road Studios listening to some of the outtakes on Anthology, as well as the footage of the surviving Beatles recording “Free as a Bird” and “Real Love.” I do understand that these clips were probably left off of the official documentary because they don’t neatly fit into the timeline of the Beatles’ story. However, I wish that Anthology had a bit more of this spontaneous energy from the special features, the kind of energy that fueled the Beatles’ most innovative creations.

I could go on, but this post has already gone on for longer than I anticipated, so I think I’ll leave my thoughts there. If you have access to a library with the Anthology DVDs, I highly recommend checking them out or finding them somewhere online to watch. You’ll walk away with a more realistic and contextualized picture of the Beatle years, and no doubt will fall back in love with any treasured Beatle songs that you’d forgotten about.

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Beatle Book Review: “You Never Give Me Your Money”

you never give me your money

To anyone who has read my blog in the year since I last posted, hello! I am back this summer with a lot of ideas for blog posts, so get ready for some more posts from me in the upcoming weeks and months. In the meantime, today I thought I’d kick off my summer blogging season by discussing a Beatles book that I recently finished reading. “You Never Give Me Your Money,” by Peter Doggett, was published in 2009 and chronicles many of the non-musical events that dominated the Beatles’ lives in the late ’60s and into their solo careers. I was aware of some of the higher profile figures and events that this book discusses, such as the Allen Klein debacle, before reading this book. However, “You Never Give Me Your Money” goes into incredible detail about this and other contentious business situations. After reading this book, it remains even more of a miracle that the Beatles managed to release any music after 1968, let alone continue to reinvent themselves with every album.

One of the most prominent characters in this book, besides the Beatles themselves, is the incredible amount of legal drama that followed the Beatles from the late 1960s through the early part of the 21st century. Many of these court cases stemmed from the formation of Apple Records in 1968, which was initially designed as a way for the Beatles to provide monetary and artistic support for aspiring musicians. I had learned about Apple through some Beatles interviews I’ve watched, but this book makes it clear that Apple was absolutely a nightmare for the Beatles to keep up with.

From continuous battles between Apple and EMI Records, to battles between Apple Records and Apple computers later on, to the endless amount of “spinoff” companies that Apple generated, it is just mind-boggling how out-of-control this project became. I found it amusing how much of a backseat the Beatles’ musical output took in this book, to the point where it almost seemed like a footnote: “In the midst of court cases, group tensions, and a poorly run business empire that would haunt them for the rest of their lives, the Beatles also released the White Album, Let it Be, and oh yeah, Abbey Road.” Though it is upsetting to learn about all of the in-group fracturing and tension from this time, it also makes their remarkable musical achievements even more impressive given the circumstances.

I also learned a lot more than I ever intended to about how many businessmen the Beatles wrongly trusted during this time, namely Allen Klein. He became their manager after Brian Epstein died in 1967, and Paul apparently mistrusted Klein from the beginning while the other three all believed in him. This led to a barrage of court cases and lawsuits that continued for years, and I previously had no idea how involved Linda McCartney’s family was in these cases (her dad and brother became Paul’s lawyers) or how incredibly difficult it was to extricate Klein from the Beatles’ affairs once he had gotten involved. It just goes to show that the Beatles were clearly musicians first, not businessmen, and that the steady guidance that Brian Epstein provided them during their early years was perhaps more necessary to their success than it was given credit for.

This book also provided a lot of insight into the Beatles’ personal lives, especially John and Yoko’s relationship. I went into this book vaguely knowing their story, and I have to say I am no bigger fan of either of them after reading this book. Though Paul will never say flat-out that “Yoko broke up the Beatles,” it certainly seems like her relationship with John and constant presence in the studio put a huge strain on the band’s relationship and led to John becoming disinterested with continuing his Beatles involvement. Of course, even casual Beatles fans could come to that conclusion, but “You Never Give Me Your Money” goes into incredible depth about the various ups and downs with John and Yoko through the years, even aside from his famous “Lost Weekend” in Los Angeles. I was not previously aware of how tense their relationship was at times during the 1970s even when they were living together in New York.

It is also frustrating to read that John was literally about to go write with Paul again several times throughout the 1970s, when Yoko stopped him and basically forbade him from doing so, or manipulated him into not visiting Paul when he had planned to. There’s no telling that anything musical would have come of it, but this book makes clear that she wanted John to have absolutely no part in a Beatles reunion, which is annoying, but not surprising, for any devoted fan to read. However, this was all news to me, so I do appreciate how much new information I learned from reading this book even if some of it was disappointing.

If there’s one qualm I have about this book, it’s that its structure sometimes feels as haphazard as the episodes in Beatles history that it is describing. Many chapters flip-flop between multiple individual stories about John, Paul, George, and Ringo that have nothing to do with each other. I applaud the author for closely following the chronology of the events he writes about by stacking them all up next to each other, but to make the book an easier read I would have noted a clearer separation between sections that pertain directly to different Beatles.

I was also hoping for slightly more detail about George, of course, particularly about his involvement with Monty Python and how he met his second wife Olivia. The book provides great detail about how John and Yoko met, as well as Paul and Linda’s early relationship, but George and Ringo’s marriages do not get nearly as much book time (probably because they weren’t as directly entangled with the Beatles’ story, but still). With the significant involvement that Olivia now has in the Beatles empire, I think she deserved more attention in this book. However, “You Never Give Me Your Money” never shies away from admitting that its main focus is “Beatles legal and relationship drama through the years,” so if Olivia and Barbara Bach (Ringo’s wife) did not cause that much drama, then just as well that they don’t have a huge focus in this book.

With that all said, I learned more new information about the Beatles from this book than I have in a long time, possibly since I read “The Beatles Anthology” book years ago. It is truly insightful and provides a lot of new information for fans like me who already know the wistful, triumphant version of the Beatles’ story and are looking for some edgier details. If you think you know everything about the Beatles already, this book will prove you wrong.  Yes, it’s a bit depressing to read in parts, and no Beatle comes across as a saint here. But I am so glad I read this book, and I look forward to having it as a reference in my “Beatles library” for years to come.

Almost 50 Years Later, Could “White Album” Work As A Single Album?

One of my favorite shots of the Beatles during the White Album era. They all look quite majestic here.

For the past few years in Beatleland, every other week seems to be the 50th anniversary of something. First in 2013, it was 50 years since the Beatles released their debut album “Please Please Me” and took Britain by storm. Then, in 2014, it was 50 years since the Beatles invaded America and appeared on the Ed Sullivan Show.  Last year marked 50 years since the release of the landmark Beatles album “Sgt. Pepper’s Lonely Hearts Club Band,” which I wrote about here. And now, 2018 marks the 50th anniversary of two iconic Beatles projects, the movie Yellow Submarine and the release of one of the most eclectic Beatles albums, known by fans as “White Album.”

“White Album” was, like all Beatles albums, innovative and interesting for many reasons. It was released after all four Beatles took a trip to India to learn about the Maharishi and learn about Hinduism and meditation (which Ringo famously did not take to very much). It featured several songs that only had one Beatle on them, such as “Mother Nature’s Son” for Paul and “Julia” for John. Ringo also briefly quit the band while they were recording this album, though I believe that only lasted a couple of weeks. “White Album” was one of the first Beatles albums I was fully aware of, and to me it’s always marked the beginning of the Beatles coming into their own as solo songwriters.

“White Album” is also well-known for being one of the very first double albums, and the first one ever to top the charts. Even now, it’s uncommon for artists to release so much material at once that it qualifies as a double album, but back in 1968 the Beatles clearly were overflowing with inspiration. Whenever I read anything about “White Album,” it usually includes the question “what songs would you cut from ‘White Album’ to make it a single album?” Sometimes I read replies along the lines of “I wouldn’t cut anything, it’s perfect the way it is.” And I agree that its status as a double album was certainly no hindrance on the Beatles’ success. But I also don’t think that it is a perfect album. Its imperfections help solidify its iconic status, but let’s be real here, I’d be hard pressed to find a Beatles fan that truly thinks every song on this album is a masterpiece.

Theoretically, if I were to cut “White Album” down to a single album, I’d have to cut it down from 30 songs to about 17, the number of songs on disc 1 of the album. That’s 13 songs, which sounds like a lot at first. Let’s see if I can even get that far.

Songs from “White Album” that I’d honestly have no problem cutting:

“Revolution 9”- I’ve spoken about this song before and I’ll say it again, there’s a reason that I’ve only ever listened to this once. It’s scary and very confusing.

“Revolution 1”- A slower version of the “Revolution” made famous on the “Hey Jude” single, but I think this version loses a lot of its bite slowed down. It’s a little too lazy-sounding to make a statement this way, I think.

“Wild Honey Pie”- I still can’t figure out how this made it on the album, honestly. It baffles me even more than “Revolution 9.”

“Why Don’t We Do It In The Road?”- Not one of Paul’s more insightful lyrics, and while this song comes off as a bit of a joke to me, I’ve never found it that charming.

“Don’t Pass Me By”- Of the two Beatles songs that Ringo actually wrote, this is the worse one.

“Yer Blues”- It’s certainly bluesy, but I don’t think this is one of John’s more inspired Beatles songs.

“Honey Pie”- When you see quotes from other Beatles talking about Paul’s “granny music,” this is what they’re talking about. Sorry Paul, I do think it’s a cute song!

“Ob-La-Di, Ob-La-Da”- I actually like this song, but I also am not that attached to it and could live with a “White Album” that didn’t have it.

Okay, that’s eight songs off the “White Album” that I’d be okay with cutting. That still leaves an album containing 22 songs, which for the vinyl constraints at the time is still way too many to have on one physical record. Let’s see if I can do any more trimming down to 17 songs.

Songs from “White Album” that I like, but don’t think are among its best:

“The Continuing Story of Bungalow Bill”- The only hesitation I have about cutting this is that it leads directly into “While My Guitar Gently Weeps,” and I do think it’s generally a good song. Still, the chorus here isn’t one of my favorites, and Yoko’s backing vocals don’t really do it for me.

“Piggies”- This one is hard for me because it’s a George song. It really doesn’t hold a candle to the other George songs on this album, but as I’m listening to it now I realize that I actually do like it a lot. Cutting this one would make me sad.

“Good Night”- As I’m writing this, it’s getting harder and harder to choose more songs off of “White Album” that I would cut. This song has a lush orchestration that is the real star here, along with Ringo’s friendly vocals. It’s actually a soothing, beautiful, almost Disney-esque song. I could cut this, but it’s so gorgeous to listen to that I’d miss it.

“Rocky Racoon”- Again, I like this song a lot, but it’s never become one of my true favorites off the “White Album,” so I’m putting it tentatively on the chopping block for now. Though I feel bad about it, because it tells a fun story.

“I Will”- A very pretty song, but of the several “Paul’s acoustic ballads” that made it on the album, this one is the least memorable for me.

Okay, so I’ve made it down to 17 songs on the “White Album.” Below, I’ll list the tracking that I’d do with these 17 songs, if I were creating the album order.

  1. Back in the USSR
  2. Dear Prudence (can’t mess with that one-two punch, it really works)
  3. Glass Onion
  4. Martha My Dear
  5. I’m So Tired
  6. While My Guitar Gently Weeps
  7. Happiness Is A Warm Gun
  8. Blackbird (this would be the end of side one of the album if it were on vinyl)
  9. Birthday
  10. Julia
  11. Everybody’s Got Something To Hide Except For Me And My Monkey
  12. Mother Nature’s Son
  13. Sexy Sadie
  14. Savoy Truffle
  15. Cry Baby Cry
  16. Long, Long, Long
  17. Helter Skelter (I’ve always thought that this would be a badass album closer)

After listening to this new “White Album” I came up with, it definitely works, though I think it has a bit less personality than the original album without all of the songs I left out. I like the idea of bookending this new one-disc “White Album” with Paul rockers, and honestly I wish that “Helter Skelter” had been the original album closer because it really works so well! Obviously though, the Beatles knew what they were doing when it came to ordering songs on their albums, which is why I didn’t change that many of the original album’s track orders. When all is said and done, though, I still love the double album the way it is, and even those songs that I’d cut add a lot of character to the album that I’m ultimately glad is there.

If this post interested you, share with me how you’d theoretically trim down the double album into a single LP, or listen to these 17 songs in this order and let me know how you think it flows! Until next time then, fellow Beatlemaniacs. As John once sang, “We all shine on.” 🙂

Another Top 10 Favorite Beatles Songs

A great picture of the Beatles from 1965, my favorite period of their music. 🙂

 

As I was reformatting this blog last week and scrolling through some of my old posts, I came across the original “favorite Beatles songs” post from 2013 and examined to see which favorites have stayed the same and which have changed. Just for reference, here is the top 10 list that I wrote when I first started this blog.

I thought it might be fun to write about 10 other Beatles favorites that could easily also be a separate top-10 list. None of these were on the previous list I made, but if those other 10 songs didn’t exist, these would be my 10 favorites. I think that after 5+ years, the other list is still overall accurate – “While My Guitar Gently Weeps” is still definitely my favorite Beatles song. But the Beatles have such a wide variety of fantastic songs that I could probably come up with several unique lists of 10 songs that would all qualify as my favorites. So without further ado, here are 10 more of my favorite Beatles songs, in reverse order!

10. We Can Work It Out

This is one of the best examples of a John/Paul collaboration that brilliantly showcases their individual styles. Paul’s part is upbeat and optimistic, while John’s part takes on a more somber, sobering tone. They replicate this general pattern in other songs like “Getting Better” and “A Day In The Life,” but this is one of the first instances where I think their songwriting partnership really displays how different their musical perspectives can be. The organ in this song also lends a distinct touch, and I love the bouncy rhythm throughout.

9. Dear Prudence

Though the repeating guitar lick is prominent throughout the song, I think that Paul’s bass line is the real star here. It tells a story all on its own, and I always listen for it when I hear this song. Paul also plays drums on this, and adds some fantastic drum fills that take the song to even greater heights. This is unmistakably a John Lennon song, and I think it’s one of my favorite John-penned Beatles songs actually. But Paul’s work on multiple instruments here is what makes this one of my favorite Beatles songs to listen to no matter what mood I’m in.

8. Taxman

This song has so many wonderful, intertwining elements that it’s hard to choose my favorite. From the iconic guitar solo (played by Paul), to the wonderfully melodic bass line (also played by Paul), to the lovely harmonies (some of my favorite Paul harmonies in the Beatles’ catalog), to the biting lyrics (okay, these are George’s), there’s a lot to unpack in this short song. It’s a perfect opening to “Revolver,” which to me represents the Beatles fully stepping away from their poppy image and delving into edgier material. This song, with its sneering tone, is a good one to play when you’re slightly annoyed about something. It’s also another fantastic song written by George, long before he fully came into his own on the “White Album.”

7.  Paperback Writer

I think this was one of the first Beatles songs I ever heard. I seem to have much older memories of it than I do of most other Beatles songs, and I’ve always really liked it. Once again, it has a really interesting bass line, and also has some of my favorite harmonies in the Beatles catalog. Another fun fact is that it was the last new song that the Beatles played on tour before calling it quits in August 1966. Paul shows off his storytelling prowess very well here, and also shows his songwriting maturity, as this song (unlike many of his previous ones) has nothing to do with love or relationships. Though it’s well known, I think it’s among the more underrated #1 hits the Beatles had, which I realize sounds like an oxymoron.

6. Happiness is a Warm Gun

The more I listen to this, the more I marvel at how many moving parts there are in such a short song. But they all work together perfectly and make for a very interesting song. There’s something new to hear every time I listen to it, though at the moment I’m particularly drawn to the driving guitar part in the “Mother Superior jumped the gun” section. It’s another stellar track from the “White Album,” which though uneven at times has some of the most innovative and timeless songs that the Beatles ever recorded.

5. Helter Skelter

I imagine that if I had heard this song when it first came out in 1968, I would have been amazed that this came from the Beatles. It’s one of the hardest rocking songs in their catalog. The only song I think it resembles in this regard is “Revolution,” though only the intros to both songs are similar. Every guitar part in “Helter Skelter” is worth paying individual attention to, from the lead part to the thumping rhythm sections. This is the song to play to anyone who says, “Didn’t the Beatles just do pop songs?” No, they didn’t. And they recorded this heavy rock song months before Led Zeppelin released their first album. Once again, with practically every song they did, the Beatles invented a new genre of music and reinvented themselves.

4. You’ve Got To Hide Your Love Away

This is one of the musically simpler songs on this list, but I’ve always loved the melody here. It’s one of my favorite Beatles songs to sing to myself throughout the day. This is a great example of how I think John’s best Beatles songs came from 1965 and 1966, as he’s really the star of “Rubber Soul” in my opinion. The acoustic guitar part sounds so modern that it could have been recorded today. As I said in a previous post, I could play this on repeat for hours and not get sick of it.

3. Not A Second Time

I put this as one of my most underrated Beatles songs here, but as I’ve listened to it more and more, it’s become one of my favorite Beatles songs, period. This is one of the most unique-sounding early Beatles songs, and the melody here is one of my favorites that John sings. This is another one I love to sing along to wherever I am, and the drum fills here show how Ringo was instrumental in the Beatles’ success even in the early years. This is probably the “least mainstream” Beatles song on this list, but every time I listen to it I wish that it were more highly regarded among their earlier songs.

2. Eleanor Rigby

I wrote about this song in my tribute post for George Martin, which you can find here. And I’m shocked that I didn’t put this on my previous list of favorites, but this is one of those songs that has grown on me immensely. It’s a masterpiece. Every time I listen to it, I’m amazed at how compact the lyrics are and how intricate the string arrangement is. Beyond that, the melody for this is I think one of the best Paul has ever written, and the harmonies are some of my favorites in the Beatles’ catalog. Clocking in at just over two minutes long, I really feel like I’ve gone on a journey every time I hear it. I really can’t write enough about how amazing I think this song is. This one is honestly tied with the #1 song on this list, but I’ll put it at #2 here just because it has a more serious tone.

Which means #1 has got to be…

1.  Here Comes The Sun

This is one of those later Beatles songs that’s so perfect, it’s hard to believe a person actually wrote it. As I listen to the later years of the Beatles’ catalog, songs like “Hey Jude,” “Let It Be,” and this one stand out as songs that have somehow always existed, like they just floated down from the sky as textbook examples of how to write a timeless song. Like many of George Harrison’s most beautiful songs, “Here Comes The Sun” seems to give its listeners a comforting hug. This is one of those songs that I wish could just automatically play in nature every time I walk outside. I smile every single time I hear its iconic intro, though my favorite part of this song is the descending guitar line in the middle. But the main reason I put this at #1 here is because it tells such a beautiful, optimistic story that I think its existence alone genuinely makes the world a better place.

When I’m thinking about my favorite Beatles songs now, I’m thinking about songs that I sing to myself all the time, songs that always make me smile, songs that I really think are perfectly crafted. These 10 songs all do that for me, despite being absent from my previous list of favorites.

Also I discovered while making this post that it seems like, at long LONG last, the official Beatles YouTube channel has uploaded all of their albums! Hooray! And they’re all the remastered versions! It has been notoriously difficult to find Beatles songs on YouTube over the years thanks to copyrighting, but even though I already have all of their songs on iTunes, this is a huge deal. It will make doing many of my Beatles-related song posts much easier. Happy early birthday to me, and happy weekend to all of you!

My Top 10 Favorite Song Intros

Harrison Control room

The Beatles in the control room, undoubtedly crafting another timeless song introduction.

Well, after an entire semester of no blog posts, I am making my triumphant blogging return with a post that I’ve been meaning to do for a while. For whatever reason, even before I became a Beatles fan, I’ve always been really intrigued by what makes a good song intro. The Beatles have many of them, of course, but there’s something about a really well-crafted intro to a song that can truly elevate the content of the entire song. There’s a saying about not judging a book by its cover that could technically also apply to “not judging a song by its intro,” but I almost feel that you should judge a song by its intro in many cases. Just like with a job interview, if your first impression about a song in the first few seconds is negative, you probably won’t want to stick around and listen to the rest.

With some songs, I actually prefer the instrumental intro to the song itself, if only because it ends up being more memorable for me. I also believe that a really good song intro immediately grabs the listener’s attention and makes it extremely difficult to change the song. So here I’ve decided to return to one of my favorite blog post formats, the ten-item list, and explain my reasons for choosing these ten songs as containing some of my favorite introductions.

10. Ready to Go- Republica

Though this admittedly is the only song I know by Republica, I have always been a big fan of this song’s intro. I’m a sucker for a song that starts with an acoustic intro that then segues into a biting electric guitar, and that’s exactly how this song begins. Just as a minor side note, I love when songs directly juxtapose a softer acoustic guitar sound with a harder electric guitar sound, one right after the other. It makes both sounds more interesting to listen to, and adds to the overall musical depth of an already awesome song.

9. My My, Hey Hey- Neil Young

Though I’m not hugely well-versed in Neil Young’s catalog, I’ve always really liked this song, and I’m pretty sure it’s because of the haunting guitar riff that opens the song and continues throughout the song. This is among the more musically simple song intros on this list, but it goes along with my logic that a really well-crafted, memorable song intro can be as simple as a strum of an acoustic guitar.

8. All The Way From Memphis- Mott the Hoople

This is one of my favorite “rock piano” songs, written by a very underrated band from the 70s. The beginning is simple enough musically, but the driving, pounding piano beat stands alone as a very worthy introduction to a wonderful song. It’s a great example of how an energetic song intro can get the listener excited about a song long before the lyrics and guitar kick in.

7. Beauty and the Beast- David Bowie

Originally when I came up with the idea for this post, I thought of this song mostly as a placeholder, an example of a song with a cool intro that I could theoretically put on this list. However, as soon as this song popped into my head, I started listening to it more and more, and I realized that I actually really do love its intro a lot. Like with “All The Way From Memphis,” this song makes great use of a driving piano/keyboard intro that gradually layers with guitar, drums, and vocals until it explodes into the first verse.

6. Desecration Smile- Red Hot Chili Peppers

Whenever this song comes up on shuffle, I always end up playing it on repeat just to hear the intro over and over again. It’s all acoustic guitar and drums, but this instrumental sequence manages to convey so much emotion and sets the stage perfectly for the rest of the song. The moment when the first acoustic riff in the intro segues into the second is just beautiful, and the song as a whole is one of my favorites by them. This is one of the more musically subtle Chili Peppers songs I know, but with that, it’s also one of their most heartfelt, soothing tracks. This intro reminds me that the Chili Peppers, despite their sometimes wild exterior, really are master craftsmen of emotionally touching melodies.

 

 

5. Drive It Like You Stole It- Sing Street

I’ve already mentioned this movie briefly on this blog I believe, so once again, it’s packed with wonderful 80s-inspired musical goodness like this song. This starts with an awesome synth-packed punch and only gets better from there as the rest of the instruments kick in. More than any other song on this list, the intro for this song instantly makes me want to get up and dance. It’s so infectious and upbeat, and it’s a perfect culmination of the kids’ musical efforts throughout the movie.

4. Blow Away- George Harrison

This song was my morning alarm for quite some time, mostly because of the absolutely gorgeous, soothing intro that helped me ease into the day (I later changed my alarm song because this song was too relaxing and I kept sleeping through it…). There’s something about how this song begins that just sweeps you away into another world. Like so many George songs, it exudes love for this world without saying a word. This is 100% one of George’s best solo songs, and its lilting, somewhat melancholy yet also hopeful intro has a lot to do with that.

3. Coming of Age- Foster the People

For whatever reason, the intro to this song makes me feel nostalgic, but for nothing in particular. Maybe it’s because of the 80s-vibe that this entire song projects, similar to though less bouncy than “Drive It Like You Stole It.” I can’t quite put my finger on it, but I always feel strangely emotional whenever I hear the beginning of this song, and I feel that if the first 10 or 20 instrumental seconds of a song can make me feel something, that certainly bodes well for the rest of the song.

2. Lucy in the Sky with Diamonds- The Beatles

Much like with “Coming of Age,” the fascinating intro to this song is definitely my favorite part of the song, and I often wish I could just play the very beginning over and over whenever I hear it. The melody of this synth riff, which repeats throughout the song, is beautifully and perfectly constructed so that it comes across as almost hypnotic, which relates well to the song’s themes of mysterious voyaging. The Beatles had a masterful way of imbuing many lyrical themes from their songs into the construction of their instrumental melodies, this being perhaps the best example I can think of. It’s haunting, addictive, and some of the Beatles’ best work.

In case anyone is curious about the link I attached, it is often extremely difficult to find original Beatles songs on YouTube, so to hear the intro to “Lucy in the Sky with Diamonds” from this Anthology track I found, go to 0:33 in the video link.

And finally… Without further ado…

1. Warrant- Foster the People

This, ladies and gentlemen, is my favorite intro to any song ever because I genuinely think it could stand on its own without the rest of the song and still be amazing. I don’t quite know how the beginning to this song came about, but the way it begins with an echoing chorus and gradually adds in the other instruments is just stunning to listen to, and something that I’ve rarely heard other bands do in recent albums. I’ve seen it compared to Zelda and other video game soundtracks, but I also find the choral opening to be very Beatles and ELO-esque, which might be why I always respond so positively to it. It’s hard to describe why this intro is so amazing, but whenever I hear it, I feel like I’m being transported to a fantasy world and then in an action-adventure music video. It’s probably the most cinematic intro on this list, but for an alternative rock/pop band that normally doesn’t do “cinematic,” I think it’s an extraordinary achievement.

So there you have it. Creating this list, and including “Lucy in the Sky with Diamonds,” certainly got the gears turning in my head about my favorite Beatles song intros, which could easily be a whole separate post that I’ll have to write in the future. But for now, enjoy listening to these fantastic songs!