Another Top 10 Favorite Beatles Songs

A great picture of the Beatles from 1965, my favorite period of their music. ūüôā

 

As I was reformatting this blog last week and scrolling through some of my old posts, I came across the original “favorite Beatles songs” post from 2013 and examined to see which favorites have stayed the same and which have changed. Just for reference,¬†here¬†is the top 10 list that I wrote when I first started this blog.

I thought it might be fun to write about 10 other Beatles favorites that could easily also be a separate top-10 list. None of these were on the previous list I made, but if those other 10 songs didn’t exist, these would be my 10 favorites. I think that after 5+ years, the other list is still overall accurate – “While My Guitar Gently Weeps” is still definitely my favorite Beatles song. But the Beatles have such a wide variety of fantastic songs that I could probably come up with several unique lists of 10 songs that would all qualify as my favorites. So without further ado, here are 10 more of my favorite Beatles songs, in reverse order!

10. We Can Work It Out

This is one of the best examples of a John/Paul collaboration that brilliantly showcases their individual styles. Paul’s part is upbeat and optimistic, while John’s part takes on a more somber, sobering tone. They replicate this general pattern in other songs like “Getting Better” and “A Day In The Life,” but this is one of the first instances where I think their songwriting partnership really displays how different their musical perspectives can be. The organ in this song also lends a distinct touch, and I love the bouncy rhythm throughout.

9. Dear Prudence

Though the repeating guitar lick is prominent throughout the song, I think that Paul’s bass line is the real star here. It tells a story all on its own, and I always listen for it when I hear this song. Paul also plays drums on this, and adds some fantastic drum fills that take the song to even greater heights.¬†This is unmistakably a John Lennon song, and I think it’s one of my favorite John-penned Beatles songs actually. But Paul’s work on multiple instruments here is what makes this one of my favorite Beatles songs to listen to no matter what mood I’m in.

8. Taxman

This song has so many wonderful, intertwining elements that it’s hard to choose my favorite. From the iconic guitar solo (played by Paul), to the wonderfully melodic bass line (also played by Paul), to the lovely harmonies (some of my favorite Paul harmonies in the Beatles’ catalog), to the biting lyrics (okay, these are George’s), there’s a lot to unpack in this short song. It’s a perfect opening to “Revolver,” which to me represents the Beatles fully stepping away from their poppy image and delving into edgier material. This song, with its sneering tone, is a good one to play when you’re slightly annoyed about something. It’s also another fantastic song written by George, long before he fully came into his own on the “White Album.”

7.  Paperback Writer

I think this was one of the first Beatles songs I ever heard. I seem to have much older memories of it than I do of most other Beatles songs, and I’ve always really liked it. Once again, it has a really interesting bass line, and also has some of my favorite harmonies in the Beatles catalog. Another fun fact is that it was the last new song that the Beatles played on tour before calling it quits in August 1966. Paul shows off his storytelling prowess very well here, and also shows his songwriting maturity, as this song (unlike many of his previous ones) has nothing to do with love or relationships. Though it’s well known, I think it’s among the more underrated #1 hits the Beatles had, which I realize sounds like an oxymoron.

6. Happiness is a Warm Gun

The more I listen to this, the more I marvel at how many moving parts there are in such a short song. But they all work together perfectly and make for a very interesting song. There’s something new to hear every time I listen to it, though at the moment I’m particularly drawn to the driving guitar part in the “Mother Superior jumped the gun” section. It’s another stellar track from the “White Album,” which though uneven at times has some of the most innovative and timeless songs that the Beatles ever recorded.

5. Helter Skelter

I imagine that if I had heard this song when it first came out in 1968, I would have been amazed that this came from the Beatles. It’s one of the hardest rocking songs in their catalog. The only song I think it resembles in this regard is “Revolution,” though only the intros to both songs are similar. Every guitar part in “Helter Skelter” is worth paying individual attention to, from the lead part to the thumping rhythm sections. This is the song to play to anyone who says, “Didn’t the Beatles just do pop songs?” No, they didn’t. And they recorded this heavy rock song months before Led Zeppelin released their first album. Once again, with practically every song they did, the Beatles invented a new genre of music and reinvented themselves.

4. You’ve Got To Hide Your Love Away

This is one of the musically simpler songs on this list, but I’ve always loved the melody here. It’s one of my favorite Beatles songs to sing to myself throughout the day. This is a great example of how I think John’s best Beatles songs came from 1965 and 1966, as he’s really the star of “Rubber Soul” in my opinion. The acoustic guitar part sounds so modern that it could have been recorded today. As I said in a previous post, I could play this on repeat for hours and not get sick of it.

3. Not A Second Time

I put this as one of my most underrated Beatles songs here, but as I’ve listened to it more and more, it’s become one of my favorite Beatles songs, period. This is one of the most unique-sounding early Beatles songs, and the melody here is one of my favorites that John sings. This is another one I love to sing along to wherever I am, and the drum fills here show how Ringo was instrumental in the Beatles’ success even in the early years. This is probably the “least mainstream” Beatles song on this list, but every time I listen to it I wish that it were more highly regarded among their earlier songs.

2. Eleanor Rigby

I wrote about this song in my tribute post for George Martin, which you can find here. And I’m shocked that I didn’t put this on my previous list of favorites, but this is one of those songs that has grown on me immensely. It’s a masterpiece. Every time I listen to it, I’m amazed at how compact the lyrics are and how intricate the string arrangement is. Beyond that, the melody for this is I think one of the best Paul has ever written, and the harmonies are some of my favorites in the Beatles’ catalog. Clocking in at just over two minutes long, I really feel like I’ve gone on a journey every time I hear it. I really can’t write enough about how amazing I think this song is. This one is honestly tied with the #1 song on this list, but I’ll put it at #2 here just because it has a more serious tone.

Which means #1 has got to be…

1.  Here Comes The Sun

This is one of those later Beatles songs that’s so perfect, it’s hard to believe a person actually wrote it. As I listen to the later years of the Beatles’ catalog, songs like “Hey Jude,” “Let It Be,” and this one stand out as songs that have somehow always existed, like they just floated down from the sky as textbook examples of how to write a timeless song.¬†Like many of George Harrison’s most beautiful songs, “Here Comes The Sun” seems to give its listeners a comforting hug. This is one of those songs that I wish could just automatically play in nature every time I walk outside. I smile every single time I hear its iconic intro, though my favorite part of this song is the descending guitar line in the middle. But the main reason I put this at #1 here is because it tells such a beautiful, optimistic story that I think its existence alone genuinely makes the world a better place.

When I’m thinking about my favorite Beatles songs now, I’m thinking about songs that I sing to myself all the time, songs that always make me smile, songs that I really think are perfectly crafted. These 10 songs all do that for me, despite being absent from my previous list of favorites.

Also I discovered while making this post that it seems like, at long LONG last, the official Beatles YouTube channel has uploaded all of their albums! Hooray! And they’re all the remastered versions! It has been notoriously difficult to find Beatles songs on YouTube over the years thanks to copyrighting, but even though I already have all of their songs on iTunes, this is a huge deal. It will make doing many of my Beatles-related song posts much easier. Happy early birthday to me, and happy weekend to all of you!

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What Makes a Song Good?

george_on_bed_with_guitar-550x369

George clearly contemplating the writing process, with guitar in tow

Today I’d like to discuss a topic that’s been coming to my mind recently as I’ve listened to Beatles songs and other songs alike, and that is, how do we as music listeners actually decide why a song is good or bad? The most important thing to remember here is that there really is no objective measurement of “goodness” or “badness” of a song. You can pretty much conclusively determine if someone is a skilled or unskilled piano player, but it’s a bit more murky to extend that level of objective analysis to judging the quality of an entire song. Of course, there are certainly songs I think are better than others, so here are a few points of comparison between songs and some examples to support that, both from the Beatles and from other artists I admire.

One point that’s recently been floating around in my mind is the idea of “good” songs balancing vocal and instrumental melodies. That is, the melody of the instruments is as important to the beauty and structure of the song as the melody of the vocals. This is assuming we’re discussing traditionally structured “pop” songs here, not 11-minute long instrumental jams. I hate to sound like a grump, but¬†I find that so many modern pop songs have little¬†instrumental substance and it’s all about highlighting the singer and their impressive growl or sky-high vocal riffs. There’s something about a song that has, say, an interesting opening guitar riff, melodic vocals, and other scattered instrumental breaks that just feels more complete to me. Songs like this also communicate that the quality of the song is what is most important, not the singer’s vocal talent. There’s a distinct, noticeable difference to me between¬†a song that exists to celebrate beautiful, thoughtful music and a song that exists for a singer to show off how high they can belt.

Both categorizations have their place in the music industry, but the Beatles were musicians first and foremost and wrote songs that nearly¬†always fall into the former category. Take “Eleanor Rigby,” for example. The staccato strings are really the iconic part of this song, not the Beatles singing. They sound¬†great, obviously, but this song is a fraction of its final self without George Martin’s incredible string arrangement. Luckily Beatles fans are blessed with an officially-released instrumental version of this on the Anthology 2 album, and this may be the finest example of a Beatles song in which I actually prefer the solo orchestration to the complete song. There’s just so many interesting things to notice when you listen to only the string part, so many percussive strokes and instrumental counterparts, and it conveys the message of the song’s lyrics almost as well as the singing itself. But the complete song itself is what I highlight as a perfect example of a song that values its instrumentation just as much as its vocals.

In case that all weren’t enough to celebrate, it’s just over 2 minutes long and it feels perfectly complete. The song doesn’t thematically or instrumentally need to be any longer. There are no wasted notes here; they all contribute to the moving final product. The song’s inherent structure is so well-thought-out that it carries the beauty of the song all by itself. The more I listen to “Eleanor Rigby,” honestly, the more I marvel at it. It’s quickly moving up my list of favorite Beatles songs.

Another Beatles song that demonstrates their mastery of vocal and instrumental balance is “Here Comes The Sun.” This song features such a delicate, airy acoustic guitar part that I do wish there were an official version of just the instrumental parts without any of the Beatles’ vocals. It¬†also features a lovely string arrangement, but rather than that being the star of this song, the interplay between the strings and the guitar combine to support the beautiful vocal part. “Here Comes The Sun” is absolutely a George Harrison masterpiece that is quickly becoming my new favorite Beatles song, mostly because the guitar is soothing and relaxing. I once heard a rare version of this song that features an additional overdubbed guitar solo, but I felt that it overpowered the rest of the song and did not mesh with the existing acoustic part. “Here Comes The Sun” is simply perfect and musically balanced the way it is.

In general, I feel that with songs I really admire, I could take out the vocals entirely and listen to only the instrumental backing and I’d love the song just as much. One example of a non-Beatles song that perfectly fits this description is “Sultans of Swing” by Dire Straits. The separated, choppy, yet beautifully melodic guitar part always hooks me from the second that the song comes on the radio. I really do feel that this song would function almost as well as a wholly instrumental song. I say “almost” because I do also feel that part of the reason the guitar here is so enchanting is because of how it counters the vocals by providing continual instrumental breaks throughout the song. These “breaks” wouldn’t exactly be breaks if they were not broken up by an intervening vocal part, now would they. This song, unlike the previous two, does not feature any sort of orchestration. Its notable instrumental part is almost strictly guitar, but the guitar here has a life of its own and ¬†beautifully carries the melodic weight of the song so that no additional instrumentation is necessary for the song to feel complete.

Slightly unrelated, but this song also directly connects to the Beatles by featuring a lyrical reference to “guitar George” who “knows all the chords” and “doesn’t want to make them cry or sing.” There’s a chance this isn’t intentionally referring to “While My Guitar Gently Weeps,” but it seems more likely than not. After all that, I’m actually not 100% positive that this is a Beatles reference, but given that George Harrison is by far the most famous rock guitarist named George that I can think of, I’ll stick with this theory until proven wrong. Perhaps the guitar part throughout this song is meant as an ode to George’s carefully crafted Beatles guitar parts, which would certainly ¬†explain why I love the song.

Much of the Beatles’ legend rests on their reinvention of the very idea of successful pop songs, and as this blog continually states, I do believe that they are still the masters of crafting songs with incredible attention to vocal and instrumental balance. However, they also epitomize the magical formula that I find takes a song from average to excellent, and that is a balance between highlighting vocals and highlighting instrumentals. It doesn’t necessarily have to be split 50/50, but I do feel that songs with a celebrated¬†instrumental part, like the songs all mentioned above, possess more overall beauty than songs without.

I could go on and on about Beatles songs that feature a beautiful balance between vocals and instrumentals, and how this is also present in wonderful songs by other artists, but I’ll save that for another post. Until then, continue braving the long, cold, lonely winter and finding sunshine in your favorite songs.

Happy (belated) Birthday George Harrison!!!

I just found this picture, and it's so adorable!!!

I just found this picture, and it’s so adorable!!!

I know I haven’t blogged in quite a while. Don’t worry, I did not fall off the face of the earth; I was in a show last week that took up most of my time, and so unfortunately I have not had time to do a George birthday post until now. But that’s all about to change!

My love for George has grown exponentially in the last year, but I do feel like he serves a different purpose in my life now than he did a year ago. As I’ve ended sophomore year and dived headfirst into junior year, I’ve realized that there are a lot of important life decisions that have to happen this year, and of course, the nature of high school in the 21st century is that it is supposed to be stressful, competitive, challenging, and hard to get through without some guidance. I don’t have as much time to just be obsessed with the Beatles and George Harrison as I did freshman year, but that does not mean that I love them any less. In fact, during the often stressful and occasionally frustrating days, I find that I need George’s music more now than ever. His lyrics are words of wisdom to me, and I have yet to find a song of his that is not inspiring in some way.

George is more of an imaginary life coach than an imaginary husband at this point in my life, but that’s okay with me. As George frequently said, the point of life is to change, and it would be boring if everything and everyone stayed exactly the same all the time. On his birthday this year, as I proudly wore my George shirt to school and had a 5-hour dress rehearsal, I kept thinking about how much I enjoyed what I was doing and how much George loved everything he did in life. If there’s one thing I’ve learned from George, it’s that if you truly feel love and passion for something, you should stick with it.

Here are some songs that I may or may not have previously posted on this blog, but I feel that they embody George’s spirit and attitude about life. They’re not necessarily my favorite songs of his, although I love them all, but they are the ones that remind me of him the most.

I Need You

I Live For You

Stuck Inside A Cloud

Pisces Fish

Here Comes The Sun

So, on this (approximately) 71st anniversary of George’s birth, I am reminded yet again why he is and will always be my favorite Beatle. He was thoughtful, loving, insightful, patient, and a beautiful human being inside and out. I love him with all of my heart! Happy birthday Georgie!!! ūüôā

I promise it will not be another 2 weeks before I blog again. Be on the lookout for a post of my favorite covers of Beatles songs in the near future! Have a great week!

And I Love Polls

So here’s another poll I came up with. I think this is a pretty interesting one, because I was curious to see what is the one Beatles song that most people can’t live without. I tried to pick a list of Beatles songs that basically everyone, even non-Beatles fans, would know.
If you would choose another song that’s not on this list, feel free to comment about it!
For me personally, out of this list of songs, I’d have a hard time choosing between Hey Jude and Here Comes The Sun. It’s pretty much a toss up between those two, although While My Guitar Gently Weeps is my #1 favorite Beatles song.
Enjoy the week!