My Top 10 Favorite Song Intros

Harrison Control room

The Beatles in the control room, undoubtedly crafting another timeless song introduction.

Well, after an entire semester of no blog posts, I am making my triumphant blogging return with a post that I’ve been meaning to do for a while. For whatever reason, even before I became a Beatles fan, I’ve always been really intrigued by what makes a good song intro. The Beatles have many of them, of course, but there’s something about a really well-crafted intro to a song that can truly elevate the content of the entire song. There’s a saying about not judging a book by its cover that could technically also apply to “not judging a song by its intro,” but I almost feel that you should judge a song by its intro in many cases. Just like with a job interview, if your first impression about a song in the first few seconds is negative, you probably won’t want to stick around and listen to the rest.

With some songs, I actually prefer the instrumental intro to the song itself, if only because it ends up being more memorable for me. I also believe that a really good song intro immediately grabs the listener’s attention and makes it extremely difficult to change the song. So here I’ve decided to return to one of my favorite blog post formats, the ten-item list, and explain my reasons for choosing these ten songs as containing some of my favorite introductions.

10. Ready to Go- Republica

Though this admittedly is the only song I know by Republica, I have always been a big fan of this song’s intro. I’m a sucker for a song that starts with an acoustic intro that then segues into a biting electric guitar, and that’s exactly how this song begins. Just as a minor side note, I love when songs directly juxtapose a softer acoustic guitar sound with a harder electric guitar sound, one right after the other. It makes both sounds more interesting to listen to, and adds to the overall musical depth of an already awesome song.

9. My My, Hey Hey- Neil Young

Though I’m not hugely well-versed in Neil Young’s catalog, I’ve always really liked this song, and I’m pretty sure it’s because of the haunting guitar riff that opens the song and continues throughout the song. This is among the more musically simple song intros on this list, but it goes along with my logic that a really well-crafted, memorable song intro can be as simple as a strum of an acoustic guitar.

8. All The Way From Memphis- Mott the Hoople

This is one of my favorite “rock piano” songs, written by a very underrated band from the 70s. The beginning is simple enough musically, but the driving, pounding piano beat stands alone as a very worthy introduction to a wonderful song. It’s a great example of how an energetic song intro can get the listener excited about a song long before the lyrics and guitar kick in.

7. Beauty and the Beast- David Bowie

Originally when I came up with the idea for this post, I thought of this song mostly as a placeholder, an example of a song with a cool intro that I could theoretically put on this list. However, as soon as this song popped into my head, I started listening to it more and more, and I realized that I actually really do love its intro a lot. Like with “All The Way From Memphis,” this song makes great use of a driving piano/keyboard intro that gradually layers with guitar, drums, and vocals until it explodes into the first verse.

6. Desecration Smile- Red Hot Chili Peppers

Whenever this song comes up on shuffle, I always end up playing it on repeat just to hear the intro over and over again. It’s all acoustic guitar and drums, but this instrumental sequence manages to convey so much emotion and sets the stage perfectly for the rest of the song. The moment when the first acoustic riff in the intro segues into the second is just beautiful, and the song as a whole is one of my favorites by them. This is one of the more musically subtle Chili Peppers songs I know, but with that, it’s also one of their most heartfelt, soothing tracks. This intro reminds me that the Chili Peppers, despite their sometimes wild exterior, really are master craftsmen of emotionally touching melodies.

 

 

5. Drive It Like You Stole It- Sing Street

I’ve already mentioned this movie briefly on this blog I believe, so once again, it’s packed with wonderful 80s-inspired musical goodness like this song. This starts with an awesome synth-packed punch and only gets better from there as the rest of the instruments kick in. More than any other song on this list, the intro for this song instantly makes me want to get up and dance. It’s so infectious and upbeat, and it’s a perfect culmination of the kids’ musical efforts throughout the movie.

4. Blow Away- George Harrison

This song was my morning alarm for quite some time, mostly because of the absolutely gorgeous, soothing intro that helped me ease into the day (I later changed my alarm song because this song was too relaxing and I kept sleeping through it…). There’s something about how this song begins that just sweeps you away into another world. Like so many George songs, it exudes love for this world without saying a word. This is 100% one of George’s best solo songs, and its lilting, somewhat melancholy yet also hopeful intro has a lot to do with that.

3. Coming of Age- Foster the People

For whatever reason, the intro to this song makes me feel nostalgic, but for nothing in particular. Maybe it’s because of the 80s-vibe that this entire song projects, similar to though less bouncy than “Drive It Like You Stole It.” I can’t quite put my finger on it, but I always feel strangely emotional whenever I hear the beginning of this song, and I feel that if the first 10 or 20 instrumental seconds of a song can make me feel something, that certainly bodes well for the rest of the song.

2. Lucy in the Sky with Diamonds- The Beatles

Much like with “Coming of Age,” the fascinating intro to this song is definitely my favorite part of the song, and I often wish I could just play the very beginning over and over whenever I hear it. The melody of this synth riff, which repeats throughout the song, is beautifully and perfectly constructed so that it comes across as almost hypnotic, which relates well to the song’s themes of mysterious voyaging. The Beatles had a masterful way of imbuing many lyrical themes from their songs into the construction of their instrumental melodies, this being perhaps the best example I can think of. It’s haunting, addictive, and some of the Beatles’ best work.

In case anyone is curious about the link I attached, it is often extremely difficult to find original Beatles songs on YouTube, so to hear the intro to “Lucy in the Sky with Diamonds” from this Anthology track I found, go to 0:33 in the video link.

And finally… Without further ado…

1. Warrant- Foster the People

This, ladies and gentlemen, is my favorite intro to any song ever because I genuinely think it could stand on its own without the rest of the song and still be amazing. I don’t quite know how the beginning to this song came about, but the way it begins with an echoing chorus and gradually adds in the other instruments is just stunning to listen to, and something that I’ve rarely heard other bands do in recent albums. I’ve seen it compared to Zelda and other video game soundtracks, but I also find the choral opening to be very Beatles and ELO-esque, which might be why I always respond so positively to it. It’s hard to describe why this intro is so amazing, but whenever I hear it, I feel like I’m being transported to a fantasy world and then in an action-adventure music video. It’s probably the most cinematic intro on this list, but for an alternative rock/pop band that normally doesn’t do “cinematic,” I think it’s an extraordinary achievement.

So there you have it. Creating this list, and including “Lucy in the Sky with Diamonds,” certainly got the gears turning in my head about my favorite Beatles song intros, which could easily be a whole separate post that I’ll have to write in the future. But for now, enjoy listening to these fantastic songs!

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I’m Siriusly Excited About The Beatles XM Station

beatles radio

The Beatles, perhaps waiting to hear one of their songs on the radio!

As has become a pattern for me, I tend to blog whenever there is some newsworthy event happening in the Beatleverse, and this happens to be one of those times. These events often revolve around Beatles music entering the public consciousness in a new way, such as through iTunes, Spotify, and now, their own Sirius XM Station, channel 18. I had no idea that this was even happening until a few days before the station went live, and my initial reactions to this announcement ranged from “It’s about time” to “Finally!” Nothing against Pearl Jam, but if they have their own radio station, the Beatles deserve their own station as well. I’m also aware that those in charge of the Beatles brand and catalog (namely Paul, Ringo, Yoko, and Olivia Harrison, among others) are notoriously stringent about licensing the Beatles name. In recent years, I think these restrictions have loosened. Though I hope the Beatles don’t start advertising “sausages and diapers,” as George feared they would, I greatly appreciate that they’re latching on to new technological and musical developments and remaining relevant to modern music listeners.

Upon my first listen, the station reminded me a lot of me putting my iTunes library on shuffle and listening only to Beatles or solo Beatles music, as I did quite frequently early on in my Beatles fandom. Listening to the Beatles station has made me nostalgic for what now seem like simpler times when I was 14 and 15, when I dove headfirst into my obsession with all things Beatles and cared little about embracing the rest of the musical world. I’ve also been on a couple of long car trips in the past few weeks and the Beatles Sirius station has kept me entertained for hours each time. Many times while listening to the station, I’ve been delighted to come across Beatles songs that I’d forgotten about or hadn’t listened to for months. These include the underrated gems “For No One” on Revolver and  “I Don’t Want To Spoil The Party” from Beatles For Sale. I’ve also greatly appreciated the commentary from friends and musicians close to the Beatles such as Peter Asher, as well as the “ear trivia” of playing a second of a Beatles song and revealing the song’s name later.

My one gripe with this development is that, somehow even on a Beatles-centric station that revolves completely around their music, George’s solo catalog is still vastly untapped. The station seems to roughly adhere to a format of “three Beatles songs, followed by one Paul McCartney and Wings song, and maybe a John or Ringo song occasionally,” which is fine. However, having now listened to several cumulative hours of the station over the past couple of weeks, I can count on one hand the number of George solo songs I’ve heard.

This is quite disappointing to someone who is as big a fan of George as I am and who knows the wealth of good material that he produced after the Beatles broke up. Songs like “Faster” from his album George Harrison, “Fish on the Sand” from Cloud Nine, or “Life Itself” from Somewhere in England are all exquisite songs that get zero radio airplay on this station, along with many other fantastic compositions. I hope that perhaps I just haven’t been listening at the right times and that George’s solo career actually has been greatly appreciated on this station in my absence. If not, I sincerely hope that the station begins playing more of his solo songs.

Other than this, I am absolutely thrilled that the Beatles are being celebrated 24/7 (or as the station cheekily notes, 24/8, referring to “Eight Days A Week”) on Sirius XM. They, perhaps more so than any other artist with their own radio station, have a large enough catalog of Beatles, solo Beatles, and Beatles influence songs to support a long stretch of engaging radio programming. What’s more, the whole vibe of the station feels like more than just another radio station. It really celebrates the Beatles’ musical achievements and the massive impact they had on their fans, as evidenced by soundbites from celebrity fans or screaming admirers from their heyday. I hope that it maintains its current charm and continues to celebrate both the sung and the unsung heroes of the Beatles’ success.